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Charlatan Record Cartel’s Sunday Brothers Get Heavy, Man

Charlatan Record Cartel spotlight popsters The Sunday Brothers get heavy, man, on “Save Me,” the follow-up to their initial, smash “somber, ruminative ballad about that night in ‘Bankside,'” as we called it in our review back in late February. We’ve got an exclusive, in-depth review, and the world radio premiere tonight.

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Overnight Sensations: The Hangabouts’ 12 (and a Half) Song Triumph

Breaking all the rules of the difficult sophomore album syndrome–how to successfully follow up that first, smash recorded salvo has been a recurring music biz pickle since, well, name your favorite year–John Lowry, Greg Addington, and Chip Saam have earned a couple of days’ worth of rest-easy-and-exhale time while the world greets their new album (12 songs and a mystically-appointed piece of connecting tissue strong) as the triumph it truly is.

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Bill DeMain’s Gorgeous, Piano-Based Magic

Appearing on Bill DeMain’s forthcoming album Transatlantic Romantic are two songs that the artist has allowed me to play first on the radio: “Honey Bear” and “Leroy Boy.” Color all of us lucky.

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New on Pure Pop Radio 02.28.17: Cindy Lee Berryhill’s The Adventurist

Is there a better investment in life than love? Is there a more prosperous road to travel, a more engaging choice of direction, than the bond between one person and another? Can we even make it to wherever we go in life without it?

Drawing inspiration and comfort from her marriage to the late, pioneering music journalist Paul Williams, Cindy Lee Berryhill has fashioned, in the form of her new album, The Adventurist, a deeply felt,melodic song cycle looking back on and celebrating her time with the creator of Crawdaddy, the first, authoritative rock publication of record, as the future unfolds for her one day at a time, as each new step forward is informed by steps already taken.

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New on Pure Pop Radio 02.15.17: The New Trocaderos and the Nerk Twins

This week’s second batch of reviews of new and new-to-you songs and artists added to the Pure Pop Radio playlist includes the latest powerhouse release from the New Trocaderos, and a quartet of rare songs from the Nerk Twins. Take it away, Kurt, Geoff, Brad, Kris, Rick, Herb and Jeff:

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New on Pure Pop Radio 02.14.17: Starring Pop Co-Op (with the Spongetones’ Steve Stoeckel), James Starflower, The Lunar Laugh, and More

We’re continuing to add more new and new-to-you music to the Pure Pop Radio playlist just about every day. Today, we’ve got reviews of seven albums from which we’re now spinning tracks in rotation. Click below to read all about it!

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Favorite Records of the Year: Stars of 2016

2016 was a terrific year for melodic pop music from both new and heritage artists, perhaps the best in recent memory. My list of 28 Favorite Records of the Year from 27 artists–the Stars of 2016–is presented below in random order.

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“Just say you believe in me and send me all your love…”

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The Weeklings ‘ Studio 2 captivates with Beatlesque charm

The Weeklings | Studio 2 | 2016 (Jem Records)

A review/essay by Alan Haber alan 5 small

the-weeklings-studio-2-smallWho would ever have thought, who would ever have dreamt that, in the 60 minutes that passed between eight and nine o’clock on Sunday, February 9, 1964, everything, every single hope and dream poised to define so many of the youngsters sitting only a short distance from their family’s television sets would change or at least be significantly altered?

During those historic 60 minutes, a mixed bag of performers paraded onto and then off of the stage on the ground floor of what was originally known as Hammerstein’s Theatre and came to be known as the Ed Sullivan Theater. Families, gathered together in front of their television sets in their living rooms as they usually were on Sunday nights, watched the cast of the Broadway show Oliver! (with future Monkee Davy Jones, then only 19, in tow) sing “I’d Do Anything.” Comedian and impressionist Frank Gorshin, soon to become famous as the Riddler on the Batman television show, also performed, as did Welsh entertainer Tessie O’Shea and acrobatics ensemble Wells and the Four Fays.

unused VIP ticket to a taping of The Ed Sullivan ShowAlso performing that fateful night was a group of youngsters called the Beatles. They hailed from Liverpool, England, which seemed to be a world and a half away from just about anywhere anyone could imagine. Parents were befuddled with the attention their kids paid to the four mop tops, who would obviously constitute the proverbial flash in the pan, gone in sixty seconds, or at least the sixty minutes it took for Ed to open and close that night’s show.

History tells us that the Beatles’ performance that night, five songs strong, was anything but a flash in the pan. Indeed, there was plenty of flash on the Ed Sullivan Theater stage, but not a single pan in sight. That night, as referenced in Vinyl Kings’ song “A Little Trip,” was responsible for convincing legions of kids that they could do just what John, Paul, George and Ringo were doing, if only their parents would buy them a guitar and let them grow their hair long.

vinyl-kings-a-little-tripWritten by Vinyl Kings’ Josh Leo, “A Little Trip” begins by recounting a conversation a father has with his son about what the son wants to be when he grows up. The answer is clear to the son as Ed Sullivan’s 2/9/64 show, a really big show, carries on. “I promise to send you a letter/When I am a big jet-setter,” the son sings. “Just say you believe in me/And send me all your love.”

Beyond the spectacle of the pomp and circumstance of rock and roll is the song, without which the flash means nothing. One of the innumerable characteristics that distinguished the Beatles throughout their career and beyond was, and continues to be, their mastery of melody, their ability to create songs that resonate with listeners and, in their own way, help to change the world.

Perhaps that’s too grandiose a thought, but perhaps not: Music has always had the power to affect listeners in many ways, some tangible and others less clearly defined. Good music, even great music, has the power to charm and captivate, to wash the blues away, to make us think, to make us smile.

the-weeklings-stage-setupThe Weeklings, the Beatlesque, New Jersey big-beat foursome who know all about the power of music, are Glen Burtnik, Bob Burger, John Merjave, and Joe Bellia, music veterans all. They go by the nom de plumes Lefty, Zeek, Rocky, and Smokestack, respectively. By any measure, their passion and dedication to the art of making music would tower above most practitioners’ efforts. It would not be wrong to say that they are fab.

Studio 2, the Weeklings’ second record, about to be released, follows the quartet’s first, self-titled album, affectionately known as Monophonic, which combined covers of six songs that John Lennon and Paul McCartney gave away to other artists with six Beatle-flavored originals penned by Burtnik and Burger. Studio 2 takes somewhat of a different tack than Monophonic: this time around, eight original songs share real estate with four rare Lennon/McCartney numbers not given away to other artists, none of which were released by the Beatles and are unknown to all but the most fervent Beatles fans.

the-beatles-second-albumthe-weeklings-studio-2-smallMonophonic and Studio 2, both presented in mono, spring from the same DNA, even though they take slightly different approaches. What they share, more than anything else, is an intrinsic love of Beatles music, more so the sound of the group’s earlier albums than the later ones. Even the cover of Studio 2 is a knowing nod to the Beatles, affectionately modeled after the frontispiece of The Beatles’ Second Album, right down to the legend The Monophonic Sound placed at the top, the album title subhead (NEW HITS BY THE WEEKLINGS Plus 4 Rare Lennon/McCartney Songs), and the short list of featured tunes and Jem Records legend on the right.

The details count, and that counts for the music on Studio 2 as well as the wrapper it’s contained within. So it will come as no surprise that the original songs, seven of which are co-written by Burtnik and Burger (“You’re the One” is a Burger/Merjave composition), and the more or less unknown Lennon/McCartney numbers are top-notch and injected with the spirit of the early Beatles records and other musical touchstones, for an overall sound that is uniquely Weeklings-esque. The whole affair is inspired, and the effect is akin to taking a lovely walk in the park on a beautiful, warm summer’s day. Listening to these songs is nothing less than a delightful experience.

the-weeklings-in-studio-2-in-abbey-roadSpeaking of delightful, you get to play everyone’s favorite musical game, Spot the Reference, also known as Suss Out the Easter Eggs, while you listen to Studio 2. The band has woven a good number of musical and lyrical quotes into the fabric of these songs; it’s a blast to try and uncover them. I wouldn’t propose to totally spoil the fun for you, so I’ll only note a few: the sustained piano chord at the end of the rocking “Little Elvis” not only echoes the end of the Beatles’ “A Day in the Life,” it was played on the actual piano used on that song in the actual Studio 2. (By the way, Studio 2, the album, was recorded in the actual Studio 2 at London’s Abbey Road Studios, a fact which I’ve neglected to mention so far because I’ve covered it in detail here. Lefty and Zeek talked about it at length on a recent edition of Pure Pop Radio: In Conversation, which re-airs tomorrow night at 8 pm ET; click on any of the listen links below to dig in.)

cilla-black-love-of-the-lovedHere is another tasty Studio 2 Easter egg: The Weeklings’ take on Paul McCartney’s “Love of the Loved,” essayed most assuredly by Cilla Black, is recast as a lovely lullaby with rich vocal harmonies; it is ushered into the sound field with a recreation of the chord thrash that welcomes in “Her Majesty” on the Beatles’ Abbey Road album. And here is another one: The guitar stabs that open the unreleased Lennon/McCartney number “You Must Write” are right out of the kick off to the Beatles’ version of Chuck Berry’s “Rock and Roll Music”; the end section is a musical quote from the group’s “The Ballad of John and Yoko.”

There is more, of course–much, much more. There is the opening, mid-tempo, harmonica-rich charmer “Morning, Noon and Night”; the energetic rocker “Don’t Know, Don’t Care,” which rolls through to its conclusion like a wild, runaway train; and the lovely harmony-drenched “Melody,” which sounds like it could have been plucked from the soundtrack of A Hard Day’s Night (plus, it has a quite satisfying key change near the end, which is always a plus in my book).

the weeklings equipment at abbey roadRecords are time capsules, audio snapshots of the years in which they were conceived. At the same time, they are also snapshots of the times that influenced them. Burtnik and Burger have studied the Beatles’ music inside and out, soaking up every aspect that made it great and everlasting. The Weeklings’ Studio 2 and, for that matter Monophonic, are not only passionate love letters to the music that continues to inspire Burtnik and Burger, but also a demonstration of how that inspiration manifests itself in their own music. The result is a wonderful, memorable experience for listeners–an experience that will last a lifetime.

the-weeklings-cassettethe-weeklings-studio-2-smallblack box Now playing in rotation on Pure Pop Radio: Every song: “Morning, Noon and Night,” “Little Elvis,” “Don’t Know, Don’t Care,” “Love Can,” “You’re the One,” “Next Big Thing,” “Stop Your Running Around,” “Melody,” “You Must Write,” “Because I Know You Love Me So,” “Some Days,” and “Love of the Loved.” Plus three bonus tracks from the limited edition cassette version of the album: “It Won’t Be Long,” “All I’ve Got to Do,” and “I’m Down.”
black box When and Where to Get It: Beginning November 18 at the usual locations. Links to purchase this wonderful album are coming soon.

Alan Haber’s Pure Pop Radio is the original 24-hour Internet radio station playing the greatest melodic pop music from the ’60s to today. From the Weeklings to Dana Countryman, Pop 4, Tiny Volcano, and Kurt Baker, we play the hits and a whole lot more. Become a fifth Weekling by clicking on one of the listen links below.

Listen to Pure Pop Radio on the go using your Android and iOS devices! Download Our Mobile App.

Click on the image to listen to Alan Haber's Pure Pop Radio through players like iTunes

Click on the image to listen to Alan Haber’s Pure Pop Radio through players like iTunes

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Seth Swirsky’s Wonderful, Bigger Truth

Spins and Reviews | 8.11.16 | by Alan Haber

seth swirsky new album coverSeth Swirsky | Circles and Squares
Listening to and absorbing and becoming one with the songs contained on Seth Swirsky’s amazing new album Circles and Squares, I turned inward and posed the following question:

You know those things in life that just click with you upon a first gaze or as they first come within earshot, those things that are more than just things, that are tangible signs that your life has been changed if only a little bit, or perhaps a lot, and perhaps you’re not the same as you were before and you know in your heart of hearts that things are going to be different from now on?

For those of a certain age, or really, any age at all, those moments that speak to what make us who we are, that speak to who we’ve become because something has changed the way we look at things, are hard to quantify, but we try to take them at their word as they announce themselves as part of us and define how we are affected by this, that, and the other thing.

The thing is, hearing music as one of the things that defines us is easy for those for whom a sly key change, or a simple and direct melody played out against a complicated chord structure, or the introduction of a square instrumental peg into a round hole is an exciting event. And, depending on the song, there could be one or two or even more events that work in concert to make us smile or cry or define our emotions in a new and invigorating way.

seth swirsky photoThere are only so many notes and keys and tempos to work with, so if you’re a songwriter who is also a performer, and as a performer, you play the lion’s share of the instruments that paint your musical picture, and you come up with a song that makes a listener smile or laugh or even cry, you’ve done something special, something truly extraordinary, painting with the tools in your toolbox in your own quite special way.

Which is exactly what Seth Swirsky has done. He began writing songs to order, back in the day, for a variety of performers. He wrote books about baseball, and he collected baseballs, so many of which are classified as rare. And, more importantly, he started writing and performing his own music. This latest batch of songs that speak the truth about his life and ours too quite simply towers over just about everything he has done before. It will be tough to beat after the dust has settled on this monumental album, Circles and Squares, releasing on August 19.

Proving that a creative, heartfelt approach to making music will yield magic almost every time, Swirsky has crafted a collection of songs that draws on all of his strengths, and perhaps incorporates a couple of new ones. Moreover, these songs reveal the truth about all of our lives, right from the first track, “Shine,” his statement of purpose, the one that sets the stage for what comes next. The song’s melodious mix of Beach Boys, Free Design, and Burt Bacharach touchstones; gorgeous harmony stacks, with voices sitting on top of and passing around and through each other, and clever sectioning of ideas that also fit together, work as one.

seth swirsky hanging“Shine” slides effortlessly into “Circles and Squares/Go,” initially a sprightly pop confection that ever so slightly incorporates a hint of the Beatles’ “I’ll Be Back” and, halfway through, turns into an introspective plea to move on and change one’s approach to life. A mix of Beatles Rubber Soul and 1970s soft-pop atmosphere, “Old Letter” carries that idea further, singing a song about holding on to memories in the face of trying to move forward into happiness. “Let’s Move to Spain,” adopting an early rock ‘n’ roll groove (think “Crazy Little Thing Called Love”), concerns itself with shedding one’s memories, leaving material possessions behind, and transplanting the physical form to a place where the only things that are real are the feelings between one another.

Could there be anything more real…a bigger truth? Can we live with our gaze placed firmly on the little things in life, on minimizing what we interact with on a daily basis? It probably depends on how many of those little things are in play. In the Byrdsian popper “Table,” the table is crowded and needs a simplifying of its space. And in the lovely confessional and autobiographical “I Don’t Have Anything (If I Don’t Have You),” the narrator allows that life means nothing at all without the proverbial “one”: “I’ve got some baseballs/That are pretty rare/Got a swimming pool/And a fast car/But I don’t care/’Cause I don’t have anything if I don’t have you…I’ve got gold records/Hanging on my wall/But without your love/Baby you can have ’em all…”

Which is not to say that the music on Circles and Squares matches Swirsky’s lyrical introspection note for note; indeed, the music is generally pretty and sweet and full of joy and played almost exclusively by Swirsky himself; against this base, the author’s words are made to shine. So these 16 songs, the best that their author has brought together–better than the groups of songs on his debut, Instant Pleasure, and his second album, Watercolor Day, which is really saying something–shine too. They shine brightly and provide a beacon for emotional truth.

seth swirsky keyboardIn this album’s opening statement of purpose, “Shine,” Swirsky’s celebration of melody and, especially, harmony, of happiness and joy and how it can and should be, shows what this kind of talent can mold out of what wasn’t there before; imagine sitting down at your table with a blank slate in front of you and summoning the courage to translate your ideas into something as beautiful as this.

That’s what it’s all about. It’s all about crafting beauty and working through one’s emotions to come out healed on the other side. These 16 songs, circles and squares one and all, are the latest expression of craft brought forth by one of pop music’s most important artists. These are the things that matter, and in Seth Swirsky’s hands, they sing.
black box Now playing in rotation on Pure Pop Radio: “Shine,” “Circles and Squares/Go,” “Old Letter,” “Far Away,” “Trying to Keep It Simple,” “Belong,” “Sonic Ferris Wheel,” “Let’s Move to Spain,” “Table,” and “Don’t Have Anything (If I Don’t Have You).”
black box When and Where to Get It: Circles and Squares releases on August 19 at seth.com and retailers such as Kool Kat Musik, Amazon and iTunes.

alan-mic-zeeAlan Haber’s Pure Pop Radio is the original 24-hour Internet radio station playing the greatest melodic pop music from the ’60s to today. From the Beatles to the Monkees, the Posies, McPherson Grant, the Connection and the New Trocaderos, we play the hits and a whole lot more. Tune in by clicking on one of the listen links below.

Listen to Pure Pop Radio on the go using your Android and iOS devices! Download Our Mobile App.

Click on the image to listen to Alan Haber's Pure Pop Radio through players like iTunes

Click on the image to listen to Alan Haber’s Pure Pop Radio through players like iTunes

No Monkeeing Around, These are Good Times! for Monkees Fans

alan-mic-zThe ubiquitous they never look at us and say “Hey, hey, you’re the Monkees,” because the Monkees are and always will be Micky Dolenz, Peter Tork, Mike Nesmith and the late, great Davy Jones. They can and do, however, say “Hey, hey, the Monkees have a big hit album out” because, hey, hey, that’s the fact, Jack (and you too, Jill).

The Monkees’ new album Good Times!, celebrating the group’s 50th anniversary, is the order of (Monkee) business today. And here it comes, walking down the street…

The Monkees | Good Times!
A review by Alan Haber

the monkees good timesI have an image in my mind, indelible really, of sitting on the floor in my pajamas as close to my family’s television set as humanly possible; the set sat in an ornate, maple wood cabinet my father built on four spindly legs. We had to roll the accordion-style cover from left to right to reveal the screen and get to the on-off switch and channel changer. Caveman days, to be sure.

the monkees tv showWeek after week, as the Monkees’ latest adventures spooled out over the NBC television network, I sat transfixed; I imagined myself as the fifth Monkee, traveling alongside Micky Dolenz, Peter Tork, Mike Nesmith, and Davy Jones as their crazy world exploded around and on top of them. All of this televised insanity, which seemed so real to me, told my friends and I that our humdrum existence as young school kids, whose lives were stuffed with after-school chores and allowances that could only be stretched so much, could be so much more exciting if only we could ride around in our own, customized Monkeemobile.

monkeemobileMy weekly television date with the fabulous foursome, combined with the records that were forthcoming and the radio play that quickly seemed ever present, was proof positive that the Monkees were here to stay, here being those halcyon days peeling off the calendar beginning in the fall of 1966. And, later on, thanks to Rhino Records’ extensive reissue program that saw the original Monkees albums paired with voluminous extras, “here to stay” really meant and continues to mean “forever.”

carole kingThese days, nostalgia fuels the marketplace; beloved television series from years gone by, from the X-Files to Full House, are reborn as updated shows, and favorite albums, such as ABC’s The Lexicon of Love, get sequels. In the case of the Monkees, nostalgia is only one element of the public’s ongoing love affair with the group: the music was good and memorable, written by top-flight songwriters such as Carole King and Neil Diamond, and has more than stood the test of time, playing through the years on oldies stations and satellite radio.

The spirit of the Monkees’ television show, powered by the engaging personalities of its musician-stars and the memories of the catchy music the group recorded, has shown no signs of abating. Proof positive of that has just been released in the form of an album called Good Times!, which you probably have heard of, unless you’ve been talking to the Chief inside the Cone of Silence.

michael nesmithReams of speculation on the Internet, the hub of accuracy in this electronic age, sent Monkees fans into a huge, forceful tizzy during the months preceding the release of Good Times!. Was Mike fully involved? Would Mike be joining Micky and Peter on their concert tour? Would Mike be wearing his trademark wooly hat? (Okay, I made that last one up.) Come to think of it, there was a lot of speculation about Mike. The answers, as it turned out, were a) just about, b) when possible, and c) not likely (that was my guess about the wooly hat).

Moreover, whispering voices across the Interwebs wondered if Good Times! would be any good. The fact, I’m here to pronounce, is that the album is very, very good, sometimes even great; not only is it a classic-sounding pop music album, it’s a classic-sounding Monkees album that happens to have been released 50 years after Monkeemania began.

A mix of recordings based on sessions produced during the Monkees’ heyday and new songs written by top-flight, current songwriters of note, Good Times! is a fun listen from start to finish. The songs, for the most part, sound like they could have appeared on just about any of the original group albums. There’s a reason this album is proving to be so popular–it’s really good.

harry nilssonThe title song, which opens the album, is a track built on a 1968 demo; Harry Nilsson’s song, on which he shares vocal duties with Micky Dolenz through a sweet feat of electronic legerdemain, sets the stage for Good Times! with a very Nilsson-esque, infectious go-go beat. It’s a kick and a half to hear Micky trade verses and harmonize with Harry. The spirit is infectious and amounts to what is no less than a glorious musical trip.

andy partridge 5XTC’s Andy Partridge is the first of the famous scribes to be represented in Good Times!’ running order with a new song. His perky, catchy “You Bring the Summer” is prime Partridge; you don’t have to stretch your ears to imagine hearing the author singing along with Micky and Mike. The message? Summer means happy (“Summer for a sad old Jack Frost/Trying to warm his toes/Summer from your golden smile/Will paint the snowdrops pinky rose”). An instant classic, as are River Cuomo’s “She Makes Me Laugh” and producer Adam “Fountains of Wayne” Schlesinger’s “Our Own World,” both blessed with wonderful melodies and deep hooks.

Neil Diamond’s “Love to Love,” initially crafted in 1967 and 1969 and finished in February of this year, is a very Diamond-esque number sung by the late Davy Jones, thanks to the miracle of studio magic. (This song also appeared on Rhino’s Missing Links Volume Three.) Similarly, Carole King and Gerry Goffin’s classic “Wasn’t Born to Follow” was started in March of 1968 and finished this year with a terrific Peter Tork vocal.

As to Mike’s participation, the news is, well, good (times). The wooly-hatted one appears on eight of the album’s 13 songs, including the one he wrote, a terrific, piano-based number with the writer’s lovely vocal, “I Know What I Know.” Mike, along with Micky, is at the vocal helm of the slightly-psychedelic and monumental “Birth of an Accidental Hipster,” written by the perhaps unlikely combo of Noel Gallagher and Paul Weller. The song, which didn’t have a home until it wound up in the hands of the Monkees, is a tremendous, multi-part, multi-mood extravaganza, a real barnstormer of a track.

micky dolenz 15The album’s closer, “I Was There (And I’m Told I Had a Good Time),” somewhat reminiscent musically of Paul McCartney’s “Flaming Pie,” is a pumping, fun co-write from Micky and Schlesinger. It is most certainly a highlight of this album. There are many others, of course, but it would be a disservice to you to talk about all of them when part of the fun of this album is discovery.

There are several bonus tracks that appear on various incarnations of Good Times!, such as “Terrifying,” a catchy, mid-tempo, should-be-hit-bound pop song written by Rogue Wave’s Zach Rogue, and an alternate, uptempo version of Ben Gibbard’s “Me and Magdalena,” which appears on the album in slow-to-mid-tempo form; both come with the iTunes version of this album. (I’ll leave it up to you as to which version of the latter is better; I would have opted for the faster one, but both are really good.) There are other bonuses, such as Andy Partridge’s “Love’s What I Want,” which appears on the Japanese CD and on Barnes and Noble’s upcoming vinyl release. Although this kind of marketplace maneuvering is commonplace, it would have been better to have made all of the tracks available everywhere at the same time.

monkees good times stickersJoined by such familiar pop musicians as Mike Viola and Fountains of Wayne’s Jody Porter and Brian Young, Schlesinger has helped the Monkees to create a phenomenal album that will not only please fans, but will likely gain them new fans and spur the surviving members of the band on to record more albums in the future. That’s the hope, at least, and by virtue of the overwhelming groundswell of support for Good Times!, this doesn’t seem at all outside of the realm of possibility. (And let’s give a big round of applause for Rory Wilson’s lively and retro art direction and design work, and Jonathan Lane’s equally wonderful cover art. Plus, there are stickers!)

Honestly, listening to Good Times! again and again and again, I am realizing that I’m still that kid sitting in front of the television set ensconced in the latest adventures of the fun foursome known as Micky, Peter, Mike and Davy. With this fantastic album, it’s Monkeemania, and really good times, again and forevermore.

alan-mic-zeeAlan Haber’s Pure Pop Radio is the original 24-hour Internet radio station playing the greatest melodic pop music from the ’60s to today. From the Beatles to the Monkees, the Posies, McPherson Grant, the Connection and the New Trocaderos, we play the hits and a whole lot more. Tune in by clicking on one of the listen links below.

Listen to Pure Pop Radio on the go using your Android and iOS devices! Download Our Mobile App.

Click on the image to listen to Alan Haber's Pure Pop Radio through players like iTunes

Click on the image to listen to Alan Haber’s Pure Pop Radio through players like iTunes